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This is the last of my trilogy of covers involving
the work of the American Abstract Expressionist painter Barnett
Newman. The work represented here is taken from a series of paintings
that are considered to be Newman’s greatest masterpiece. This series
of paintings occupied Newman between 1958 and 1966 and he called the
series ‘Stations Of The Cross’. The background to this months cover,
those two black, bold vertical bands, or ‘zips’, is the painting
completed in 1964 and has the title: ‘Eighth Station.’
Although completed 37 years ago, the thinking
behind Newman’s series of paintings is particularly pertinent to world
events of early 2003. Newman’s masterpiece is explained further in the
tour guide to the exhibition of his works in London in 2002/2003:
‘According to the artist, the paintings are not intended to express
the succession of events found in traditional depictions of the
Stations of the Cross. Instead they reveal the single moment when
Christ cried out ‘God, why have you forsaken me?’ – ‘Lema
Sabachthani’, the subtitle Newman gave to the series. Newman had
always defended the spiritual dimension of his work, and here,
Christ’s Passion becomes ‘the cry of man, of every man’. He said: ‘ I
tried to project something I felt was very real in relation to the
Passion, and I feel that kind of suffering has gotten almost
universal’.
In
my cover, sitting between Newman’s two black, bold vertical ‘zips’ of
the Eighth Station is the office tyrant David Brent. Now he could
represent another tyrant who is currently playing with fire on the
world’s stage: but as the tyrant forms his right hand into the shape
of a gun, will he be firing his gun in attack or to defend? The
picture of Dylan is from 1964, the year this painting was completed.
Dylan’s trumpet then sounded a fanfare for the common man but perhaps
now he could be about to play, or has just finished playing, ‘The Last
Post’. The smaller image is of Barnett Newman himself, a visionary. |